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Study Group" project!
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Tell me more about "The Principles"
Receive the guidance
of GuitarPrinciples, and the help of other people studying the Mel Bay
Method. method.
After "The
Principles",the metronome is the most important
practice tool you can use.
Used as shown in
" The Principles", it will increase your rate of progress
faster than anything else.
Click below for
further info:
Why must I use a metronome?
What type should I get?
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Here is what most students do wrong at
this point:
Problem: They don't have control and accuracy over the alternate picking.
They don't do down-up picking on the eighth notes, and they don't know they are doing it
wrong. If they DO the down-up picking, they usually mess it up, lose the beat, hit a wrong
string, etc.
Solution: Review
all the directions for doing a correct down pick, and a correct up pick, especially the up
pick (p.53). Make sure you are able to do the Right Hand String Shifting Exercise, step 3
(p.38) with perfect accuracy. Hitting the wrong string, or missing the note is due to
tension in the hand and/or upper arm. Deepening the bottom of your practice by paying much greater
attention and more effectively using no-tempo practice and the Basic Practice Approach in
general is the answer here.
Problem: The final
result of being able to play the song accurately, to a steady beat, is never actually
reached. Instead, the student plays the piece with many mistakes and hesitations along the
way. Usually, the page is turned anyway!
Solution: After proper use
of the Basic Practice Approach to train all necessary movements into the muscles, the
transition to the actual rhythm should be made by playing one or two measures at a time to
the EXPANDED BEAT.
This means putting the metronome on
something slow, like 50, and assigning two clicks for every beat. The first click
represents the down beat, the second click the upbeat. The foot must tap down on
the first click and up on the second click. (There will be eight clicks per
measure, but the foot will tap four).
Two measures at a time, work this up to 120.
Then, go back to 50, and play as written, with one click per beat, and the foot tapping 4
per measure.
| Amazing
Grace |
| Check 1 |
When you begin the song, realize that you are playing open
strings until the 6th note. This means you must keep a relaxed floating arm, with your 2nd
finger ready to play the A note when it comes up. Watch your hand to make sure!
Check your shoulder for tension. |
| Check 2 |
Watch your pick as you practice
those eighth notes no tempo. |
| Check 3 |
Measure 6, place 3 on the D in
measure 7 AS you play the A note. |
| Check 4 |
Measure 11, hold the 2 on the E
note (lightly), so it is already there when you need it at the end of the measure. |
| Final Check |
"To know and not to do is not
yet to know"
Make sure you can play this whole song
along with the background chords at these tempos...
Amazing
Grace: 30 bpm
Amazing Grace: 60 bpm
Amazing
Grace: 50 bpm
Amazing Grace: 80 bpm
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Tenting
Tonight |
Check 1 |
Make sure you watch the pick hand
frequently, and you are accurate with all the picking. |
Check 2 |
Have the 1st finger lightly on the
C before beginning. At the end of the measure, place the 2 on the A of the next measure
while you play the C on the 4th beat. |
Check 3 |
3rd measure, at the end, while
playing the F, make contact with the 2nd finger on the E before lifting 3 off the F. |
Check 4 |
Continue to follow the logic of
these "finger habits" throughout the piece. |
| Final Check |
"To know and not to do is not
yet to know"
Make sure you can play this whole song
along with the background chords at these tempos...
Tenting
Tonight:30 bpm
Tenting Tonight:60 bpm
Tenting
Tonight:50 bpm
Tenting Tonight:80 bpm
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On To Mel Bay Checkpoint 3.................
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